Menswear: The 'Rough And Rugged' Thread.


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Sayword
Sayword avatar

4830 posts since 1/4/07

posted 29 Sep 2014 03:35, edited 29 Sep 2014 03:35
http://www.traversetokyo.com/journal/k_hemmi2.html#mainWrapper

Kei Hemmi is the Founder and Creative Director of “TIMEWORN CLOTHING”, his two other labels come under the same umbrella, “AT LAST & CO” which focuses on workwear including his well reputed denim, and “BUTCHER PRODUCTS” which encompasses Military and Sportswear inspired items. In 1997 together with Toru Nishiura they created “TENDERLOIN”.

Chance meetings
Hemmi, Nishi and Mano have been friends since their teens and throughout their lives they have challenged the norms of Japanese society. All have had different experiences throughout their lives, some living in foreign countries, nonetheless, these friendships continue to the present day.

In the 80’s and ‘90s, as is well documented, Tokyo and in particular Shibuya and Harajuku were at the forefront of what we have come to know as street fashion, this small area was a melting pot of sub-cultures/movements simultaneously coexisting.

One of these was the ‘Amekaji’ - the Tokyo interpretation of the American & American Indian inspired style, in which all three friends were immersed. Whatever namesake it was given at the time, it was inspired by all things American, particularly workwear, denim, leather, there were also elements of military, Native American, sportswear and many more influences, in particular, Motorbikes, which were an integral part of the lifestyle. A wide field of vision that can only be put together with the panache and sensibility Japanese seem to have a natural knack for.

During that exciting time the experiences and antics of the three and their immediate friends, even though they did not know it at the time were to prove invaluable life lessons that would play a big influence later on in their lives.


Kei left school as soon as he was of an age that was legal to do so. “I was not good at school, I knew there was more out there, I was full of curiosity especially the stuff that I was interested in. Even though it was not so long ago, there was no internet or even mobile phones back then! So any information you wanted to get your hands on, you had to go and find it!” He spent his days soaking in all that was Shibuya and Harajuku, Fashion, motorcycles, music etc, having fun and getting into trouble.

First time meetings between Hemmi, Nishi and Mano have remained long lasting memories. During those sensitive youthful times where fights were inevitable, Hemmi re-collects some of those encounters.

“When I was a kid the only people who wore flight jackets (B-3) were used clothing shop staff, people who were in the know, but here was Mano wearing his B-3, Levis jeans, Engineer Boots and Teardrop sunglasses, his hair was greased back and he was carrying a Double Bass on his shoulder, cool and full of attitude, that was Mano”.

“The first time I met Nishi, I was hanging out smoking a cigarette and saw this guy walking by, he was wearing Goro’s accessories, Levis Big E jeans and Engineer Boots”. This style although common nowadays, was not back then. “My close friend Takeshi had told me that there was this cool guy Nishi living close to me, I was sure it was him so I called out and it was! I was excited all day to have met him, we clicked instantly and spent our days immersed in never ending conversations - movies, music, motorbikes, fashion, etc.”

In those days Hemmi was living hand to mouth. “In a way as exciting as that time was, I still needed money for the basic necessities, food rent etc., My only option was manual labour. My life was monotonous, getting up, going to work, getting told off by my boss, quitting, finding another job and so on. I realise now that as time passed by, my desire to get out of that rut was further fuelled by my frustration of being stuck in a loop.

Soon thereafter, he met his girlfriend who was returning to London, so he decided to take a chance, he had nothing to loose and at the same time was curious about London thinking life there, would definitely be better.

Life in London
Although he didn't know it at the time, he was in for the surprise of his life.

“London, looking back was one of the hardest, but, one of the most rewarding experiences of my life. At first it was nothing like I imagined it to be. It made the life I had left behind in Tokyo look very comfortable in comparison. It was a lonely time and I would often think about the friends I had left behind. London was cold, dark, the food was bad and I could not speak English. My girlfriend and I were living in a shared house, a room in the basement, with no windows and only just bigger than the bed itself. It was all we could afford”.

“It was tough for the first few years, in particular the language barrier. The only thing that made me forget everything was going to the flea markets and looking at all the vintage clothing I loved”.

But once again his determination and the freedom to create his future, kept him going. “I did not have this kind of motivation in Tokyo, something was different for whatever reason. All I knew was that under no circumstances would I return to the same situation in Tokyo. So I am very grateful for this experience, it taught me so many things, most importantly I found my focus”.

After a few years, still with limited English capabilities, he started to make friends with similar interests and through them he also started to become more interested in Tattoos. One his earlier tattoos was during a trip to Germany, by Luke Atkinson from Checker Demon Tattoos.

The Spirit of Timeworn Clothing
Fast forward to 2010, when Kei Hemmi created “TIMEWORN CLOTHING” a project very close to his heart. He began to focus wholeheartedly on the quality of his garments, the patterns, fabrics and silhouettes and after many years of experience, came to realize that the most important thing for him was to have clothing that he wanted to wear for many years to come and no matter how worn the fabric or old the style that feeling or connection with a particular piece remains special. This is the feeling he wishes to pass on to his customers.

Time moves forward and inevitable changes occur but Hemmi, Nishi and Mano still remain friends. “We have been friends since our teens and with each passing year we see less of each other. Nevertheless, our respect for one another is undeniable and so when the opportunity arises to meet up we always have a good laugh”.

“One of the many things that I am very grateful for is that even nowadays many years on we all still continue to do what we really love with great enthusiasm”.

Towards the end of this of this frank conversation with Hemmi, he is in a very nostalgic mood. Picking up a vintage fabric swatch from his bookshelf he starts to smile and talk keenly about the integrity of the fabric, the weave, fibres, drape and so on. We feel privileged to have had a chance to hear about some of Hemmi’s personal experiences and a small glimpse into his world and undeniable devotion to his craft.
Sayword
Sayword avatar

4830 posts since 1/4/07

29 Sep 2014 04:15
http://www.traversetokyo.com/journal/k_mano.html

TENDERLOIN, RATS, TIMEWORN CLOTHING
TENDERLOIN, RATS, and TIMEWORN CLOTHING. Respected by all, they are claimed to be the most distinctive brands in the Tokyo street fashion scene. Never swayed by the times or the trends, they have continuously flagged their original styles through various creations and impacted the culture in great lengths. But little is still known about the creators behind the labels due to their controlled limited media appearances and their common stance in keeping affiliations tight. Let me first make it crystal clear that these men are radically unique individuals. They are not at all a type one would get to know on a sight seeing tour to Tokyo. But interestingly enough, the three men that represent these brands own a similar atmosphere in their existences. Let us take you back a few decades to unfold the common history of the these three men: Tetsu Nishiura from TENDERLOIN, Katsutada Mano from RATS and Kei Hemmi from TIMEWORN CLOTHING. This is a official memoir of three stand up men, ’69 Tokyo born & bred.

Nishi, Mano, & Hemmi

It is already an intriguing story to know that the three men who play such significant roles in the Tokyo street culture were boys that ran together on the streets of Shibuya & Harajuku twenty years back. One might be quick to conclude the common grounds they share are already quite visible in their designs from American vintage cars to their love of motorcycle culture. True, but what they have in common is greater and deeper. Their similarity is of the outlook of the world and values they share. It is something that synergised over two decades, a level of bond that time can only mature.
The smell of this genuine brotherhood is what the fans and addicts keep on coming back for more. They know that what these three men create is not just any clothing, and that each piece of creation represent a bold attitude and philosophy toward life. They understand that wearing their apparel is taking in a lifestyle and becoming part of something bigger than themselves.
The first episode of this Tokyo street chronicle will be from the eyes of Mano (RATS). It’s the story of how the three first met and hustled to survive their early days…

The Encounter in Harajuku
“One day I was hanging out with my crew in Harajuku and ran into this tall guy rocking a N3-B and a Goro’s bag hanging from his shoulder. He was with his crew and our elders seemed to know each other. Oh, I remember taking a first look at him and just not liking him at all. To tell you the truth it was more like I wanted to knock his lights out (laughs). That day we ended up eyeballing each other and didn’t even exchange a word. That was my first encounter with Hemmi.”

Young Mano 17 years old, then belonged to a street team called the Gamblers. The Gamblers were boys that geared up in the signature 50’s look: chinos, button down shirts, saddle shoes and a combed back regent hair style that hung out at the now gone Harajuku Wendy’s. Back then for the cool kids, being part of a recognised crew and getting yourself a rep was the thing to do. Everyday young delinquents from various styles of teams, from the Takenokos to the Punks, gathered around there to kill their boredom partying out and playing music. Of course it wasn’t an exception for Mano, so stunting and getting into fights was a daily routine as he spent his days putting in effort to make a place for himself.

Harajuku in the ‘80s was a city where the rebels got to breathe their freedom. They were mischievous and almost impossible to handle, but luckily for them the community had heart to lend them a hand in one way or the other. Clothing stores would let them crash in warehouses and kind delis would give them left over menus to fill their stomachs. Simple things like that was enough for broke kids who just wanted to hang out and have fun. It was still a time with old school love and care for each other. For Mano this benevolence left a strong impression in him as it remains a crucial influence on his character to this day. He recalls the foundation of the legendary bar HIDE&SEEK he opens a decade later, were built on the principles he absorbed through these times.

The Shibuya Era
“I started noticing a new generation of teenagers showing up in magazines. They were flossed out and even had tattoos at that young age. I was shocked but quite inspired. I realised then, Shibuya was the place to be and I definitely had to be part of it.”

By the end of the ‘80s, the centre of Tokyo street culture had moved its capital from Harajuku to Shibuya. A new style of trend called ‘Amekaji’ (the Tokyo interpretation of the American & American Indian inspired style) had emerged and it spread rapidly, transforming Shibuya into a city occupied by the youth.
The new look was all about rocking Goro’s silver, Levi’s 501, Redwing boots, and leather jackets by Vanson or Schott. Around the same time, Hells Angels inspired bikers began to surface too. Fresh heads from a new type of crew called the Teamerz started showing face in fashion magazines branding them into icons and trend setters of this new phenomenon. This was the dawn of the new American style fashion. A brand new era had begun and coincidentally Mano and Hemmi meet each other for the second time in this new epicentre of street culture.

“I think I was 18 when I saw Hemmi next. He was wearing an orange mountain parka with a white Brooks brothers shirt, a Goro’s belt, western boots and even a scarf around his neck showing off his attitude like Shibuya was his place. Of course it pissed me off but you know what, he was just so damn stylish. I just had to admit that he looked damn cool. Yeah, I still wanted to smack him but his look was so impressive I made a sudden change of mind and decided to follow him! (laughs). That’s how we started rolling together.”

It didn’t take any time for two bad boys with the same love for fashion, cars, and women to bond as good friends. They began hanging out day after day to experience all the good and the bad the new city had ready for them. But it wasn’t like they had a special respect for each other or shared a common dream or anything of the sort. Their friendship was pure and simple. They just had each other for anything that came up. And this simple bond marks the beginning of their story that leads to the foundation of where they’re at now.

The Return to Tokyo

“I was hearing from Hemmi and Takeshi (HIDE&SEEK) about their new link with Nishi’s crew. They told me they were cool and had some interesting shit going on. But for me, I was like fuck that. I don’t know them. The whole conversation irritated me.”

At that time, Mano was in a serious situation due to a trouble triggered incident and had abandoned Tokyo. With no idea of when he could get back, it was like his life had suddenly changed from light to dark. The daily routine of hanging out on the streets with friends became putting in sweat at an ironworks factory alone, repetitiously handling the same monotonous work from morning till night. The fun days in Shibuya haunted him but he carried on each day determined to make a come back one day. So until then, he knew he had to keep on looking up. With time, he learned to fight the pain that kept trying to eat him from inside and also time earned him a great treasure. A perspective that makes a man tough. A perspective from the bottom up.

Mano had turned 23 when he made his long awaited return to Tokyo. Hemmi welcomes him back and everything seemed like it was like before, except for the existence of Nishi he only had heard of. Nishi and Hemmi had become close friends while Mano was away and he didn’t like anything about it. It was like the time he was away had cursed him. His reluctance to have an unknown stranger close to the crew he longed to be back with, surfaced strongly but luckily this awkward situation didn’t take too long to resolve. One day, Takeshi stops by the bar Mano works at and brings Nishi along with him. Here, they see each other for the first time.

“I guess two men with common spirits don’t even need a word.”
Mano had a good look at Nishi once and knew he was a man worthy of trust. From that day on, Nishi joins Hemmi to become the other key member to roll with Mano. They got along well, and their friendship deepened. In no time, there was nothing they hid from each other.

The bar tender
“It had been such a long while, so I decided to go check out Harajuku. Man, it looked so different from the days I was hanging out there with the Gamblers. There were guys selling T shirts, cool new thrift shops had opened, and even some guys had launched their own private labels too. It seemed like people were starting up new stuff and it was turning into a movement. The word on the street was that they’re business were going well and they were making money. I was astonished. It was like man, Harajuku was our spot. We used to run this place!”

I wonder if the reader ever had a chance to visit the legendary bar HIDE&SEEK. It was in a blacked out building located in the centre of Ura-Harajuku that had two entrances: one to the bar and the other to the clothing store. All types of interesting people came by from designers that lead the Ura-Harajuku movement, to Hollywood stars, to notorious biker gangs, a total melting pot. Every night it became the destination of crazy people looking for a place to release their energy. Mano handled this venue well, not allowing any trouble to slip through his hands and somehow putting down a solution every time. Anyone who knows this bar would say that this pain staking duty could’t have been done by anyone else but him.

“Back then, there were so many talented guys in Harajuku. Tetsu from WTAPS, Mura from M&M, Jonio and Nigo just to name a few. So I always questioned myself. What is there that I could do? I knew that I didn’t have any specific talent like they did, so I naturally felt that I had to use my passion as my weapon, like entertaining someone or taking proper care of them or something that comes from the heart, you know? I think people recognised my efforts for that because a lot of them from those times are still around me giving support. Yeah of course I’ve had my times when I was young and rowdy but I can say that I never betrayed a friend. That was my pride. I think people took me in as who I was because of this.”

During this time, Hemmi and Nishi were each challenging lives in new environments overseas. Both of them went solo to new lands, Hemmi to London and Nishi to Los Angeles. Mano kept in touch with both of them, calling them once in a while, but couldn’t help feeling a slight crack in the tight relationship they had built up.

“I felt that I was the only one fighting and surviving each day protecting what we built up together and believed in. Protecting our Tokyo. It almost appeared to me that Hemmi and Nishi had gone on a vacation! But after seeing how much they matured and developed after they came back, I realised they were fighting their own wars in foreign countries. I wasn’t the only one going through hardships.”

The beginning of Rats
“It wasn’t about flossing or showing off no more. I simply had to survive. I needed to feed my kids.”
As the Ura-Harajuku boom was coming to a halt, HIDE&SEEK closes down. It wasn’t like he knew it coming, but Mano had begun noticing what he represented and what he was doing was starting to lose value in the eyes of the customers. For all involved, it was the beginning of the end of an exciting era of Harajuku. Still, he desperately tried to figure out how to overcome this situation over and over again, but the harsh reality kept creeping up on him. As the fear of losing control of taking care of his own family grew bigger, his drinking habit worsened. Mano knew he was going down a pitfall, back down into the dark times he had experienced when he ran from Tokyo.

But this time, it was a little different. Mano’s ernest efforts at the bar had gained him respect and many friends. They stayed around to lend a hand, to get him back on top. Out of them all, especially Nishi and Tetsu (WTAPS) were there to support all the way. Together, they composed a strong plan to launch a new clothing label to stage a killer comeback for Mano. This was how RATS came to life. This beginning may sound neither visionary or with style but it is a genuine mark of the man’s intense attitude to survive and also a monument to the bond of their brotherhood.

Mano’s concept behind RATS is simple as the name. “Crawl forward, to live and to survive.” It is a manifestation of his determination to do whatever it needs, a proclamation of putting one’s pride aside and just keep moving forward. Mano advances steadily, one step at a time. At the start, there was not even money to rent an office, but years of slow but steady progress lead to the founding of RAT’s flagship store JOLLY ROGER in Ebisu.

To people outside the industry, it might seem the world of fashion is flamboyant and flashy but behind the glamour there are painstaking efforts to survive. Keeping a lifestyle of making a living with what one loves and continuously releasing authentic products that challenge a market is an almost impossible feat. At the least, it needs a combination of an iron determination and a restless effort, putting in real work. This style and attitude toward life & work maybe another perspective that Nishi, Hemmi, and Mano share keenly. “Living the cool life ain’t easy. It could be the toughest thing for a man.” These few words from Mano pretty much sums up the philosophy behind his way of life.

For others

“In creating clothing or anything I do, I want to keep on being meaningful and useful to others. I don’t want my actions to be an egotistic masturbation.”
Mano and Nishi both say this time to time. In Japanese culture, people say something similar to this every so often so it may sound cheap if it came from someone else. But people who know them would understand the truth of what they mean. The fans must feel it from the aura of their products too. When they create, they go to the utmost detail, easily down to a fraction of a millimetre to tune a design. Or they would go to the extent of recreating lost parts of a vintage machine that’s been out of date for decades, just to reach the outcome they aim for. This pursuit with passion is carried throughout every step and that gives the products the life and meaning to its maximum potential. The authenticity that shine in the products of TENDERLOIN, RATS, and TIMEWORN CLOTHING is simply the reflection of their philosophy and the way of life they lead. Their creations are their blood and bones.

In this episode we have shed light on the fateful encounter of Mano, Hemmi, and Nishi. In the proceeding episode #2, we will dig deeper into their creativity and the philosophy that reside in the trio…
Bennelli
Bennelli avatar

3182 posts since 25/5/11

29 Sep 2014 06:21
Ubercool Ubercool
Perfect read with my coffee
SwiftGuyver
SwiftGuyver avatar

148 posts since 28/9/11

29 Sep 2014 08:04
yeah great read to start my day!

cheers Sayword!
manula
manula avatar

1259 posts since 11/9/11

posted 29 Sep 2014 08:53, edited 29 Sep 2014 08:53
Not fashion, but more good read for the jap heads
http://www.amazon.com/Speed-Tribes-Nights-Japans-Generation/dp/0060926651/ref=pd_sxp_f_pt
http://www.amazon.com/Tokyo-Vice-American-Reporter-Vintage/dp/0307475298/ref=pd_sxp_grid_i_0_0
Crackajack
Crackajack avatar

5685 posts since 21/4/05

29 Sep 2014 11:32
Good read.

Always seems odd to me reading biographies of the successful that it seems to jump from working in a factory/shop/office to starting a bar, club, shop etc. How they manage that leap always seems to be absent.
Sayword
Sayword avatar

4830 posts since 1/4/07

posted 29 Sep 2014 14:04, edited 29 Sep 2014 14:04
Crackajack wrote: Good read.

Always seems odd to me reading biographies of the successful that it seems to jump from working in a factory/shop/office to starting a bar, club, shop etc. How they manage that leap always seems to be absent.
I'm in transition like this my self.

They leave out the good details, but the major point is VERY simple: JUST DO IT!

Man it's crazy how simple it is to do what you really want to do. You literally have to just start somewhere.

They leave out the details because unless you have crazy good connects, you will start with nothing, and it's up to you to build your world. Finding the connects, learning the best strategies to make money efficiently, budgeting, INVESTING IN YOURSELF.

I found that really all you need to do is start doing what you want to do. The hardest part is actually continually pushing yourself to work as consistently with good quality. If you want to do your own thing, you have to start from the bottom, work hard all the time and make connections.

It will take time, it's just a matter of how you run your show. If your a master you might be successful in a day, month, or years.

The success isn't in the final results, there is no final results. It's a constant learning experience, good and bad. The success is self improvement, and the people noticing your work. all the goodies come with that, and in different ways. For some it's money, for these guys it's that Cult feeling from the fans of thier quality gear
ShaneB
ShaneB avatar

842 posts since 28/11/10

29 Sep 2014 16:58
^^^

Like Sayword said these people do just literally get on with starting whatever business up. There's no magic formula - you raise the capital and just get on with it (on whatever that may be).

Change the subject - I'm after a new denim jacket and was just gonna go for a Lee 101 or Levis Vintage (my favorite brands) - but was eyeing up the Orslow 60's jacket or Flathead denim jackets - they're a little more expensive that the other two when sourced from Japan, but I've never seen them in the flesh - are they worth getting or is there really not that much difference to a decent LVC or 101 jacket?
spitfiredealer
spitfiredealer avatar

1738 posts since 12/6/10

29 Sep 2014 19:56
I really don't believe there is any truly decent LVC stuff. All it's production has been sourced out to turkey and Mexico with the standard Levi's. Dunno about Lee not really had any experience with them. Plenty of jap denim companies out there doing decent jackets.
Crackajack
Crackajack avatar

5685 posts since 21/4/05

29 Sep 2014 20:07
True words Sayword, but figuring out what you want to do isn't easy in itself!

Sayword
Sayword avatar

4830 posts since 1/4/07

29 Sep 2014 20:49
here are some idea's.



ShaneB
ShaneB avatar

842 posts since 28/11/10

29 Sep 2014 20:53
spitfiredealer wrote: I really don't believe there is any truly decent LVC stuff. All it's production has been sourced out to turkey and Mexico with the standard Levi's. Dunno about Lee not really had any experience with them. Plenty of jap denim companies out there doing decent jackets.

To be honest mate, so long as they have QC in place, I don't really think a Turkish seamstress is any better or worse than an American one - I think it's mainly down to the fabric. The only caveat to that if they using specific machines to make the things that's only available in one country or another.

The LVC stuff is decent imo - the only problem I have with them is they hardly ever use heavier fabric than 12oz for their jeans, but generally speaking it's pretty good value, especially because you can normally get it on ebay or other outlets for a fraction of the retail cost (it's definitely not worth full retail - I'd agree with you there).

Lee 101 is seriously unappreciated here - you can get 14oz selvedge jeans on ebay for about a tonne - there's a shop based in Poland that has loads of stuff available (I think Lee have a supplier making some of their gear in Poland, hence it's a little cheaper).

I think I will go for a Jap because I prefer Japanese denim - I'm gonna get the Sugar Cane 1962 - only about £85, much cheaper than anything Levis / Lee make comparatively.
Sayword
Sayword avatar

4830 posts since 1/4/07

29 Sep 2014 21:04
lets start an underground exporting business. OR overground if there is any lawyers.
Sayword
Sayword avatar

4830 posts since 1/4/07

29 Sep 2014 21:18
ShaneB wrote:
spitfiredealer wrote: I really don't believe there is any truly decent LVC stuff. All it's production has been sourced out to turkey and Mexico with the standard Levi's. Dunno about Lee not really had any experience with them. Plenty of jap denim companies out there doing decent jackets.

To be honest mate, so long as they have QC in place, I don't really think a Turkish seamstress is any better or worse than an American one - I think it's mainly down to the fabric. The only caveat to that if they using specific machines to make the things that's only available in one country or another.

The LVC stuff is decent imo - the only problem I have with them is they hardly ever use heavier fabric than 12oz for their jeans, but generally speaking it's pretty good value, especially because you can normally get it on ebay or other outlets for a fraction of the retail cost (it's definitely not worth full retail - I'd agree with you there).

Lee 101 is seriously unappreciated here - you can get 14oz selvedge jeans on ebay for about a tonne - there's a shop based in Poland that has loads of stuff available (I think Lee have a supplier making some of their gear in Poland, hence it's a little cheaper).

I think I will go for a Jap because I prefer Japanese denim - I'm gonna get the Sugar Cane 1962 - only about £85, much cheaper than anything Levis / Lee make comparatively.
not specifically what you are after, but some options:

On sale @ your local
http://nokipple.com/products/shawl-collar-indigo-jacket

others
http://nokipple.com/products/trophy-brownie-duck-jacket-2805

trophy-dirt-denim-jacket-2605


Beedub, you might be interested in these on sale:
http://nokipple.com/products/imperial-vi-boot

http://nokipple.com/products/sagara-imperial-vi-boot-brown
Bennelli
Bennelli avatar

3182 posts since 25/5/11

29 Sep 2014 21:19
Get a Lee x Warehouse one mate, there is always a few on yjp. Im gutted I missed out on one a while back
beedub
beedub avatar

6160 posts since 7/3/07

29 Sep 2014 21:24
Hmmmm, interesting. Look alright but I have to be honest, I'm slightly put off by the fact they're made in Indonesia.
Sayword
Sayword avatar

4830 posts since 1/4/07

29 Sep 2014 21:29
Sagara Boots

spitfiredealer
spitfiredealer avatar

1738 posts since 12/6/10

29 Sep 2014 21:31
Indonesia's denim and "workwear" scene is gaining pace. Quite a few new brands coming out of there now.
Sayword
Sayword avatar

4830 posts since 1/4/07

29 Sep 2014 21:48
My next shoe purchase…if ever…

IrregulaR by Zip Stevenson [stevenson o'alls, HTC]
http://htccalifornia.com/products/irregular-by-zip-stevenson-studded-wingtip

MORE IrregulaR
http://htccalifornia.com/products/irregular-by-zip-stevenson-studded-wingtips

http://htccalifornia.com/products/irregular-by-zip-stevenson

http://htccalifornia.com/products/irregular-by-zip-stevenson-beckham-boot


Santa Clara, By Zip Stevenson
http://htccalifornia.com/products/santa-rosa-shorty-engineer-boot

http://htccalifornia.com/products/santa-rosa-shorty-engineer-boot-1

http://htccalifornia.com/products/santa-rosa-engineer-boot

http://htccalifornia.com/products/santa-rosa-engineer-boots
Nick.
Nick. avatar

3382 posts since 11/9/09

30 Sep 2014 01:19
Some inspirational stuff on this page, great reading. I wish I could add to it but all I'll say is that I absolutely agree that, for the most part, there really isn't much stopping you from taking that first step towards doing what you want to do. It's just about taking the plunge, I think people make it out to be much harder than it is. To be successful is another matter but if your aim is just to create something that is your own, something that you can take pride in, then what's stopping you? You don't have to create something that makes you money….just something that makes you happy.

Bakes is the PERFECT example and furthermore very relevant to this thread. Over the past few years this dude has been shaping TMD into something that portrays his vision of cool, something that he can channel his creativity into. I don't think he'll mind me saying this but it's not hard to see that this guy probably isn't making a tonne of money doing this. Limited runs of small collections and VERY reasonable prices (considering quality of manufacture and design!) indicate that the drive behind TMD is the love of it, not the money. this guy clearly works his ass off behind the scenes just so he gets a chance to make some great gear and do what he wants.
my point is that every mans got to have a project, but you don't have to design clothes or reinvent the wheel or make a tonne of money, just do what you want and you never know what it might become.

Saying that, I don't do shit Laughing out loud I think this is me thinking out loud in an attempt to force myself to make that step!